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The Lamer the Gig, the Better I Get

Posted by on Nov 6, 2017 in Performance | 0 comments

We’ve all played them. The gig that seemingly never ends, and is torture on our very souls. It’s not fun, nor creative, nor inspiring, and it makes you question how you ended up here.

I love those gigs.

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Quick Hit: 3 Comping Levels

Posted by on Oct 19, 2017 in Performance | 0 comments

This is a philosophy of mine that has helped me separate my comping phrases into paths that serve the music better. Pretty easy to apply, and can make each tune breathe more.

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Brush Comping Within the Time

Posted by on Oct 2, 2017 in Technique | 3 comments

Toni is one of our members, and he’s struggling with how to comp more on the brushes with it messing up his brush pattern. Here’s how I solved that riddle

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The Philly Joe Jones “Gallop”

Posted by on Sep 18, 2017 in Technique | 0 comments

Ever wonder how great drummers like Philly Joe Jones can play brushes so freakin’ fast?? Well, he’s got a little secret.

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Rolls Part 2: Press Roll

Posted by on Sep 4, 2017 in Technique | 0 comments

Now that we’ve looked into the buzz (or “closed”) roll, the next step is to apply some pressure. Hence, the “press” roll. Blakey did it best…

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Rolls Part 1: Buzz Roll

Posted by on Aug 22, 2017 in Technique | 0 comments

There’s lot of confusion about the difference between a buzz roll and a press roll (are they the same thing??). I’m gonna break down the differences, and how to execute them. First, let’s start with the buzz roll:

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Footprints, Part 2: Metric Modulations

Posted by on Aug 8, 2017 in Grooves | 0 comments

Tony was one of the pioneers for introducing metric modulation into jazz. Footprints provides an excellent platform to do work on some of the more common ones.

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